Download The Measurement of Time: Time, Frequency and the Atomic ClockBy Claude Audoin, Bernard Guinot

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The Measurement of Time: Time, Frequency and the Atomic ClockBy Claude Audoin, Bernard Guinot

Download The Measurement of Time: Time, Frequency and the Atomic ClockBy Claude Audoin, Bernard Guinot

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This volume is a comprehensive introduction to the physics of time and time measurement, from an historical perspective to the modern day. It discusses the stability and accuracy of atomic frequency standards, covering different types of oscillators and atomic clocks, and their uses. The precision of atomic clocks and the atomic time scale are considered in the context of fundamental physical research, with relation to general relativity and applications such as the Global Positioning System. The authors also discuss International Atomic Time and its relationship to Coordinated Universal Time and the time scales used in astronomy.

• Sales Rank: #1913143 in Books
• Published on: 2001-10-08
• Original language: French
• Number of items: 1
• Dimensions: 8.98" h x .79" w x 5.98" l, 1.31 pounds
• Binding: Paperback
• 348 pages

Review
"Pleasant to read...a good reference..." Physics Today

"The authors explain atomic and astronomical time in enough detail and interlace enough basic physics to make the information extremely useful to readers who know some basic physics but are otherwise unfamiliar with the accurate measurement of time...The Measurement of Time is pleasant to read, and provides the basic information required for understanding the concepts of time measurement. It should guide the engineer involved in system design in which timing is critical, and should help the graduate student gain insight into the whole field. Finally, the text should be useful to anyone who wants to quickly obtain a general idea of time measurement. It is a good reference to have on one's personal bookshelf." Physics Today Jan 2003

About the Author
Claude Audoin received his doctorate in physics from the Université Paris Sud in 1967. He was Director of the Laboratoire de l'Horloge Atomique, Orsay, from 1972 to 1985 and managed research programmes related to hydrogen masers, optically pumped cesium beams, trapped ions, frequency stabilised lasers and frequency metrology. He has published numerous papers on the subject of atomic frequency standards and their metrological properties, and is co-author of a previous book covering the quantum physics of atomic frequency standards. Dr Audoin is also on the editorial board of Metrologia and is a member of the Bureau des Longitudes.

Bernard Guinot was an officer in the merchant navy before receiving his masters degree in mathematics in 1952. He then joined the Paris Observatory and in 1958 received the Doctorat d'Etat. His research was devoted to fundamental astronomy, space geodesy and the measurement of time, and he is the author of numerous papers on these subjects. From 1964 to 1988, Dr Guinot was Director of the Bureau International de l'Heure, where he was involved in the transition to modern techniques for measuring the rotation of the Earth and the development of International Atomic Time, which is now under the responsibility of the Bureau International des Poids et Mesures. He is a member of the Bureau des Longitudes and the Academia Europaea.

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The Measurement of Time: Time, Frequency and the Atomic ClockBy Claude Audoin, Bernard Guinot PDF

The Measurement of Time: Time, Frequency and the Atomic ClockBy Claude Audoin, Bernard Guinot PDF

The Measurement of Time: Time, Frequency and the Atomic ClockBy Claude Audoin, Bernard Guinot PDF

The Measurement of Time: Time, Frequency and the Atomic ClockBy Claude Audoin, Bernard Guinot PDF

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Ebook Download Pleadings Without Tears: A Guide to Legal Drafting Under the Civil Procedure Rules 8th edition

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• Published on: 1709
• Binding: Paperback

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Pleadings Without Tears: A Guide to Legal Drafting Under the Civil Procedure Rules 8th edition PDF

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Ebook Free Facial Expressions: A Visual Reference for Artists, by Mark Simon

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About the Author

Mark Simon owns A&S Animation, a cel animation house, and Animatics & Storyboards, the largest storyboard house in the south. His previous books include Facial Expressions and Storyboards: Motion in Art. He lives in Orlando, Florida.

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Product details

Paperback: 256 pages

Publisher: Watson-Guptill; 1st edition (June 1, 2005)

Language: English

ISBN-10: 0823016714

ISBN-13: 978-0823016716

Product Dimensions:

9 x 0.7 x 10.7 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

163 customer reviews

Amazon Best Sellers Rank:

#63,852 in Books (See Top 100 in Books)

This book has it's uses. It is organized by the age of the model, and varies from 20 to 83, both male and female. The pictures are clear and usable, and I was pleased that they were large enough to work with. Note that these are head-shots only. Then at the end of the book, there is a brief section on "sequential poses" which basically gives you some still frames in transitions between for example a happy and sad face. There is also a few pages on models speaking the phonemes if you need to do morphing.The problem that I have with this book though is that, like others mentioned, WAY too many of the expressions are these really outrageous over-the-top kinds of things. I guess you could best describe them as "silly". If you are doing some type of animated cartoon or something, these might actually be real useful. But for any other use they are not nearly as much help as they could be.For comparison's sake, I also have "The Artist's Complete Guide To Facial Expression" which I feel is a little more useful. It is organized by expression, and contains a lot of discussion about each one. The weakness of that book though is that it doesn't have near as much reference material (i.e. pictures) as this book, but at least the ones it does have are in general more useful.

The concept of this book has so much going for it and I give kudos to the author for compiling so many potentially helpful photos from all angles. I was really looking forward to the benefits it would offer me in sculpting, drawing, and painting.Unfortunately, though, the black-and-white photos aren't of particularly good quality and it's difficult to see some detail that would be helpful in many of the photos. There are 16 photos to each page which definitely limits their size; but even viewing them under some of the professional magnifiers I own, the detail is not sharp enough in many cases to be helpful.This is actually the only negative I have of the book -- in every other aspect, I'd rate it 5-stars. But, poor photo quality in a book that is only comprised of photos is a BIG negative. My 3-star rating is actually an "okay" -- which is what I feel the book is. There's a lot of good stuff in the book, but it's offset by the photo quality in my opinion.Despite the photo quality, there is much to love about this book if you're an artist attempting to convey some form of expression of the human face. There are LOADS of faces (2,500 apparently -- I didn't count them, but that's what the book promises). The best part of all of these faces is that they're making various expressions--some typical, some bizarrely exaggerated--and they show that person's head/face from all different angles (the various angles of the same expression is very beneficial for sculpting the human head). There are front views, various angles of side views, views looking downward at the face, and others with head tilted back so you're seeing the chin stretch (and, frankly, looking up the nose). The photos are of both males and females, include various ethnicities, and are broken into age ranges of 20s through early 80s.Besides the expressive faces, there are also a few pages that show sequential expressions, the position of the mouth/lips while expressing phonemes, kissing positions, and various types of hats and headgear. There's also a small section at the beginning that shows the skull as well as the underlying muscles of the face (but, again, the photo quality isn't very good there).I was initially disappointed when I received the book and considered returning it. However, I've decided that I'll likely find some benefit from some of the photos. I'm hopeful that Mr. Simon may decide to publish some version of it again with better photo quality. If he does, I'll buy.

I have the digital and the paper version and I really like it but there is one important factor that makes me put it 4 starts. The paper version is very good, but SMALL photos (I usually have to scan the photo and print it again so I can work easily, that's why the 4 starts for the paper version). So I decided to get the digital version, because I thought, "well, maybe they show bigger pictures, easier to work". Wrong, the digital version has exactly the same photo size but guess what, I cannot scan it and print them, so not very good. It still works fine, you can use a phone or tablet to see the picture and zoom it a bit without losing too much detail.But about the book, if you are an artist, and you like to get a big selection of faces with different expressions, get this, is very good, there are people of all ages (I don't recall seen children now that I think about this), from young to old people, doing all kind of gestures in different positions and some examples (just a few) of what other artists have done with them. The people in the book do the same expression and they have photos in different angles. Then another expression and the same. There are a lot of photos to chose from of every subject, I don't remember how much but enough to have a good selection. I have used many times, and I don't regret buying it, I BUY IT TWICE, what else I can say. I just wish the digital one was better.

While I see the importance of this kind of book, I'm a bit disappointed that the author didn't update this work.The good:+ Plenty of pictures+ All age groups from the 20's -80's+ Many races+ Good selection of expressions- Needs Improvement.- Pictures look dated- Pictures are dark and fuzzy.- Pictures are a bit small.It's time for the author (or someone else) to make a better version of this book.

This photo is a decent reference, but I don't find myself using it often. The photos are very small and the lighting is poor. I thought the paper would be thick and glossy, but it is thin and matte, almost like newspaper. The photos seem to be of "regular" people, which makes it more realistic, but I would have appreciated having at least a couple professional models in the mix. Speaking of professional, based on the looks of the photos they don't seem to have been taken by a professional photographer. So in the end you have a book of tiny black and white photos of amateurs taken by amateurs.

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